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Verve's 50 Power Women 2010
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Published: Volume 18, Issue 6, June, 2010
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Vinita Bali 54
With a sterling career already in her wake, it may seem like the Managing Director of Britannia Industries Limited – the first woman outside the Wadia family to hold such an influential position – has lived a professional life that will be better told in a biography than a résumé. But then, she didn’t get to this stage by resting on her laurels. Her journey stretches right back to attaining the top of the pile at Cadbury’s in the hoary 1980s, where she chewed up the glass ceiling the way others chew, well, chocolate. A series of distinguished posts all over the world, from South Africa to the UK, culminated in her stewardship of Britannia, a well-loved but somewhat moribund outfit that, five years after her entry, is now known as one of India’s most trusted, innovative and successful brands. Her expertise has seen profits aplenty for the good ship Britannia over the last year, with figures showing a company valued at almost double the amount it was pre-Bali. And her new responsibilities within the group, including direct responsibility for that other immortal Wadia brand, Bombay Dyeing. The biscuits might be flaky and crumbly – the woman behind their success is all steel. Zia Mody 54
If you’re looking for inspiration in my house, you don’t have to look very far. But you may have to trek up to the office-room on the third floor, to find it there, in the image of my mother; coffee stationed on the left, papers positioned on the right, and Avinash, the nocturnal peon, holding fort, front and centre. My five-foot tall mother personifies the phrase ‘Size doesn’t matter’ and it would take only five minutes of interacting with her, for one to learn and fear this! But if you dig beneath the strong façade, one that a female lawyer in India is forced to don, you will discover a most soft, caring and sensitive soul. Mummy is always the first among us four Mody girls to start off a chain reaction of tears, while watching sappy movies on lazy Sundays. She is constantly going out of her way to help others; whether it’s advising my youngest sister on her history paper, or devoting her priceless attention to pro bono work at the office. Coupled with her kindness is an immense passion and drive, which is reflected in every task she will ever undertake. This includes being a mother. I am shocked and yet proud every time ‘Mummy Office’ flashes on my phone at 7 p.m. Eastern Standard Time, when I am wrapping up my classes for the day. It is incredible to me that her success has not slightly encroached upon her remarkable work ethic, and even more so that she culls time out of her busy schedule to call me every day – even if it’s just to say she loves me. As I now embark upon my own journey, along the same professional path as my mother, I am fearless, being so secure in the fact that she will forever be my compass, guiding me through the thickets of the legal world. I couldn’t have asked for a better teacher. BY AARTI MODY Ritu Kumar 65
She rediscovered India’s traditional textile heritage at a time when plastics and nylon ruled current sensibilities. She dared to look into the country’s design past to create for the future. And this veteran designer continues to wow audiences at Fashion Weeks and ramp shows with her interpretations of ancient textiles and patterns. Today, joined by her son Amrish, under the sub-brand LABEL, she continues to reinterpret traditional Indian design, converting it into an international product. An authority on the subject, she has compiled her knowledge in The Costumes and Textiles of Royal India, a treasure trove of information. Priya Paul 44
The chairperson of the Apeejay Surrendra Park Hotels, second-generation industrialist, continues to grow her luxury empire, be it the hotels or the chain of Oxford bookstores and Cha Bars that she owns with her sister, Priti Paul Priya Paul, entrepreneur, epicure, amazing sibling, friend and mother. Steering The Park from a decrepit monster into its now gleaming avatar in Hyderabad. From the businesses she runs, to the love of the arts to the varied interests and friends, Priya and her sister Priti inhabit the world with ease and élan and return home from their travels to being one tight family unit with their sister, mother and brother. BY TARUN TAHILIANI Naina Lal Kidwai 53
Your biggest achievements of 2009-2010? Are you comfortable being a woman in the world of finance, dominated by men? What are your other passions? Does personal style have a place in the world of finance? How would you describe your sense of style? Any accessory you just cannot do without? What is your life/work philosophy? BY SHIRIN MEHTA Gyan Sudha Mishra 61
After four years there is a woman judge in the Supreme Court again. Two days after she turned 61, her elevation to the Supreme Court a few weeks ago pays tribute to her legal acumen and judicious interpretation of the letter and spirit of the law of the land. Having already made an impact as the first woman chief justice of Jharkhand High Court, the Hon’ble Justice Gyan Sudha Mishra – who was previously a judge of the Rajasthan High Court for 14 years – has followed in the footsteps of Fatima Beevi, Sujata Manohar and Ruma Pal to the highest court of the land. It is said that she is simplicity at its best, something she had exemplified earlier after she took over as CJ, Jharkhand High Court. When she joined thousands of kanwariyas to offer prayers at the Lord Baidyanath temple in Deoghar, she insisted that no special arrangements be made for her and no inconvenience be caused to the pilgrims for her security. Interestingly, with her new appointment, after 15 years she returns home to the capital. Anamika Khanna 38
I have her saris, westerns, lehengas, tunics…. She combines the aesthetic of the Japanese, the detailing of India and western silhouettes. I identify clearly with her designs. I love her stark, slim silhouette which is very western and the colours she uses which are very Japanese. She is not out and out commercial so you are always wearing one of a kind. All her pieces are couture pieces. They are classics. To me, she represents the perfect mix of East and West. BY FEROZE GUJRAL Archana Tyagi Sharma 42
What are the challenges you face in your new posting? What prompted your choice of profession? With this power comes responsibility and risks.... Which of your postings has been the most challenging? Does the power rest lightly on your shoulders? Who has influenced you the most? BY SHRADDHA JAHAGIRDAR-SAXENA Ashvini Yardi 37
What was the major milestone of 2009-2010? What is Colors’ position in TRPs? How would you define the power of your shows and the simple rural characters? Do social issues work in soaps? The power of tapping into emotions? Do you suffer any panic attacks? How do you cope with competition? BY SHRADDHA JAHAGIRDAR-SAXENA Arundhati Roy 48
Her most recent anthology of political writing, 2009’s Listening to Grasshoppers: Fieldnotes on Democracy gained critical acclaim abroad, and gave many readers at home a quiet eerie reminder of the last decade in political crime – and punishment – in India. The Booker Prize winner’s writing has gained ground over time: looking over the essays and reportage she characterises as ‘feral howls’ against the abuse of state power, it is possible to judge their context in hindsight. Crusading always on the premise of justice for the little guy, in the last ten years she has written, argued, harangued and – yes – shrieked at a volume that not many people with quite such carrying voices did, in an atmosphere far less comfortable than it may seem to us now. She may not be the only vocal critic of the state, nor yet the most persuasive. Her writing is deliberately provocative: not only to her habitual naysayers, the institutionalists and the pundits of the right wing, but also, more troublingly, to the neutral Indian. Her recent essays on the Naxalite standoff with state forces in much of Central India have polarised public awareness of the situation in ways that no other Indian journalists or activists writing in English have done. But no one has done more for the public awareness of injustice, either, and her work has its place in the democratic canon of watchdog writing for that very surfeit of attention.
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