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Going Wild
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| Text and Photographs by Mamta Badkar | |||||||||
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Published: Volume 17, Issue 11, November, 2009
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Dust-choked metros and stressful jobs usually leave us sapped of creativity. Poets, rueing this, have for centuries propelled us towards nature. Mamta Badkar escapes to Phoenicia, upstate New York, and finds that going away from civilisation is easier said than done
I have always been fascinated by the romance of picaresque novels and faraway illusions of Wordsworth, trudging through Windermere’s meadows, before clogging parchments with poems about daffodils we canonised so long ago. It was their pastoral road trips and the idea of getting back to nature that thrills me. So, when I flew to New York over summer, I convinced my cousins that we had to leave Manhattan’s confines and get to America’s boondocks that held forth the promise of a creative cornucopia.
What sounded like the hellish Styx at night turned out only to be Esopus Creek by the crack of dawn. Pen and paper in hand, I sat on the wicker chair composing nonsense haikus and eventually ventured out towards the water. Teetering across mossy stones, I decided to plant myself on a rock and let fresh air and creativity swathe me. Instead, I was immediately shrouded by mosquitoes, midges and other winged creatures who met their doom at my hands. Realising this communion with nature wasn’t panning out quite as I had imagined, my cousins and I decided to trace the woods around the creek and eventually found people tubing down the Esopus’ rivulets which soon turned rather turgid.
Ravenous, shivering and ashamedly a little frightened, we clambered down knowing the monastery or the beatniks at Woodstock would have to treat us better. Nature, I learned, despite my delusions, isn’t necessarily benevolent, but the rusticity had me feeling more at peace with myself and the world and did in fact give me a new lease on creativity. Subscribe to Verve Magazine or buy the Verve issue on stands now!
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