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Power Caricature
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| Text by Eva Pavithran | |||||||||
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Published: Volume 16, Issue 11, November, 2008
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Artist Ved Gupta’s sculptures and canvases are nothing less than bold political statements, discovers Eva Pavithran
In Gupta’s amusing world of painted fibre-glass sculptures, there is no room for humour. He cuts right through the society’s apparent evils. His sculptures draw from his perception of the inequalities and injustices of the class-structured society of modern India. “I studied our history thoroughly. It’s important to do so to understand art. What struck me most was that the protagonist was always depicted as larger than life”, explains the 33-year-old artist. “The working class even say ‘badein log’. So those in power are portrayed as dwarfed caricatures,” he says. The common man who is bullied by the corrupt is represented by the elongated naked oppressed figure of the labourer. He lashes out at the uber class through his canvasses too. But it’s the sculptures that command your attention. After being a part of various group exhibitions for the last four years, his first solo showing was held at Gallery Threshold in Delhi last month. He was one among the five artists from India to showcase under the Best of Discovery section at Shanghai Contemporary Art Fair this year. As cities grow and societies change, you are eager to see how Gupta’s artistic representation will be affected. “The sculptures will change. I don’t know what form they’ll take. Maybe I will clothe the common man, put him in a suit, or even change the way he looks?” Subscribe to Verve Magazine or buy the Verve issue on stands now!
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