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| Text by Mamta Badkar | |||||||||
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Published: Volume 16, Issue 7, July, 2008
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After the Osian’s Cinefan festival preview in Mumbai, Mamta Badkar chalks up the best exhibits and silver screen offerings in time for its tenth anniversary line-up in Delhi
Movies range from contemplative works by internationally revered film makers like Hou Hsiao-Hsien to experimental shorts made by upcoming Indian directors. The former’s languid Flight of the Red Balloon about a boy learning to cope with his mother’s vulnerability and the bond he forms with the Taiwanese film student hired to help take care of him, promises to draw a big crowd, with its unhurried pace, ad-libbed dialogues, references to Albert Lamorisse’s classic Le Ballon Rouge and an ethereal performance by Juliette Binoche. The distinctive line-up of short films with a probable bout of questions and answers post-screening is very promising. Shorts like The Fiction work because of a good storyline, Rukshana Tabassum’s Topsy Turvy is remarkable for its avant-garde technique while others like The Love Song of… need to be better realised. The one to really look out for is Atul Sabharwal’s Midnight Lost and Found a jury award winner at the Indian Film Festival of Los Angeles (IIFLA) which combines the best of comic book analogies and effortless acting in the form of Deepak Dobriyal. Classics like Kashmir ki Kali found space along with the preview of contemporary spy thriller Mukhbir and ‘autobiographical essays’ like Mohammed Bakri’s Since You Left. Shattering the myth that films are merely about entertainment, the Osian’s Cinefan festival aims to send every viewer home with a few questions rather than the usual suspension of disbelief. Watch out for a keynote address by film-maker Kumar Shahani, a debate
on Has Great Literature Spawned Great Cinema? with writers
Kunal Basu, Chitra Divakaruni, Jaishree Misra and Sooni Taraporewala
amongst others on July 13.
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