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Antique Futuristic
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Published: Volume 16, Issue 1, January, 2008
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Verve advocates the super-cool spaces where you would rather be seen, in 2008
Her excitement and energy for this space are apparent. It was divine providence, she maintains, that brought her to these square feet, unused for 50 years. She has added her own intelligent and well-travelled touches in forms that do not necessarily belong to any one genre. An industrial look is maintained by the hanging of large weighing scale tops, from the ceiling. Singer sewing machine bottoms are painted white and topped with glass to substitute as counters for faux-kundan accessories. Clothes racks have been morphed to resemble huge clothes hangers. “I have designed them to look like they are floating. The hero, after all, is the clothes.” All this is offset by enormous mirrors in antique frames, a 700-year-old antique display cabinet from Kerala, aluminium trunks from Bhendi Bazaar covered with cushions. “It is amazing. When you put things in a new context, they look different. The same with clothes, you keep seeing things in a new light.” The collections on display are eclectic, to say the least. The in-house brand, Ghee Butter, reveals its own twist of humour. The clothes racks have designers who are young and new. A collection of beautiful items like silver antique jewellery rub corners with highly-modern sunglasses from Japan, a brand called ‘Blind’ that made its appearance in The Matrix. And there’s Kishore herself, in a shift by new designer, Drashta, paired with Balenciaga sandals, a student at Oxford of politics, philosophy and economics, who gave up her dream to be an anthropologist for a space that she created to stimulate the senses. And succeeded.
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