Maria Louis sneaks a peek at two art exhibitions that will make this January memorable
THE
ARTIST: Rajan Krishnan
His background: Born in
1967 in Kerala. After his B.A. in Economics, he did his B.F.A. (Painting)
at the College of Fine Arts, Thiruvananthapuram, and then his M.F.A.
at the Faculty of Fine Arts, M.S. University of Baroda. He lives and
works in Kerala.
His concerns: The fields
and villages of his youth play the protagonist in most of his works
as he records the dramatic changes wrought by development and urbanism.
The exhibition: Ore/Substances
of Earth
The concept: A multimedia
installation of large and small-scale paintings, metal and terracotta
constructions and a DVD. Together, this personal reflection on tragedy
and resilience modifies the way we experience a space and remind us
of our universal past.
The highlight: Ore, a
terracotta construction set like a hill about ten feet tall, composed
of thousands of handmade terracotta figurines; each one functioning
as an atom/molecule that is a maximum of four inches in height. Made
by artists, friends, art students, laymen artists, children, local working
women and men, this work is a spontaneous, constructive and creative
response to earth/mud/clay through a collective and interactive process.
The venue: Bodhi Space,
Wadi Bunder, Mumbai
The dates: January 19
to February 9.
THE
ARTIST: TV Santosh
His background: Born in
1968 in Kerala. After doing his B.F.A. in Sculpture at Kalabhavan, Santiniketan,
he did his Masters in sculpture at the MS University of Baroda. In 2000,
he moved to Mumbai where he now lives and works.
His concerns: The persistent
and ominous presence of violence and injustice throughout history disturbs
the artist, and his work confronts the subjects of war and terrorism
as well as its relationship to the eco-political and environmental struggles
we face.
The exhibition: Countdown
The concept: Sculptural
installations done in mixed media, based on the notion that the world
is going to end, whether due to terrorism or global warming. Through
his use of timer devices, a cluster of bones and paintings depicting
images of terror drawn from reality, the artist represents the fear
psychosis sweeping across continents today.
The highlight: Houndingdown,
a sculptural installation of fiberglass sniffer dogs, metal and LED
panels, which recalls images of bomb squads hunting down terrorists;
and Bone Prayer, a cluster of fiberglass bones on a Last Supper-like
table attached to a timer device, which signifies the prophecy of a
terrible future or an imminent catastrophe.
The venue: Nature Morte,
Delhi; preview at The Guild, Mumbai
The dates: January 24
to February 16.
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