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Romancing The Ringstrasse
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| Text by Sitanshi Talati-Parikh | |||||||||||||
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Published: Volume 15, Issue 11, November, 2007
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It’s a modern city with a romantic soul. Vienna’s majestic royal palaces, quaint coffee houses and famed tradition of outstanding opera music evoke a bygone era of refinement and grandeur. Sitanshi Talati-Parikh walks through the heart of the bustling Austrian capital and succumbs to its elegant charm and deliciously slow rhythm
It’s true. Despite its modern fittings and the latest technology, Vienna still maintains its old-world charm. So much so that I half expect one of the locals to raise his hat and bow in greeting. Baroque architecture jostles for space with Art Nouveau in this predominantly Catholic city overflowing with museums, cafes, opera houses, and churches. As tourists mingle with locals at one of the Kaffeehaus (local coffee houses), I observe the age-old tradition of taking time over the brew, savouring a pastry, smoking a cigarette while reading the papers, gabbing or even composing (let’s not forget the legendary Mozart spent most of his days in cafes). This is one city that knows how to work and how to unwind. It might lack the breathless pace of a New York or London, but Vienna more than holds its own with a charm that is distinctly European. It’s as if time has stopped – that it has raced through the city centres of the world, found its home in Vienna and is resting here. The thought makes me want to take a breather as well. Breaking my stroll through the Museum Quarter, I lie down on the crisp green grass and watch the world enfold before me. A contemporary art exhibition at Vienna Secession, the world’s oldest independent art institution devoted to contemporary art, catches my interest. Art here, I realise, resides not only in the paintings, but also in the buildings, the music, the thinking and the pride of the people. This in itself is not without irony as many of these beautiful buildings (especially the Secession and Staatsoper) were genuinely disliked by the people when they were first built! Names roll off a local tour guide’s tongue as she rattles off names of architects, musicians and painters in a single breath. I learn that Otto Wagner, one of the most prominent Viennese architects, is among those one has to be grateful to for some of the splendid structures in the city.
Baroque and Gothic, the imposing Stephansdom (St. Stephen’s Cathedral) is located smack in the heart of the city centre and is a beloved favourite. It’s always eventful to walk from the Wiener Staatsoper to Stephansdom through the pedestrian path paved with shops, cafes and performers. Watching the clever, talented performers, I snack on some traditional fast food — a Würstelstand or a sausage shoved into a humungous bread roll. A particularly tasty variation is the Burenwurst and Käsekrainer (sausage filled with cheese). It’s not unusual to find the stands crammed with kebab (Turkish sandwiches) and pizza offerings as well – a new addition to the fast food culture, I’m told. Sitting in one of the cafés, I’m awestruck by the power of a middle-aged opera singer’s operatic vocals, amused by street performers vying for our attention with their jugglery, tricks and colourless jokes and quietly entertained by a pianist who rolls in her piano into the street to play to an appreciative audience. The famed music culture of Vienna is outstanding. From street musicians to fabulous operas and ballets, Vienna throbs with exquisite sounds. I choose to attend the modern rendition of The Nutcracker, playing at the magnificent Wiener Staatsoper (Vienna State Opera). It’s a stunning performance, never mind the audience’s claims — overheard between acts over wine, chocolate and caviar – that it did not quite measure up the original.
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