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Sovereign Silhouettes
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| Text by Shirin Mehta and Photographs by Anushka Nadia Menon | |||||||||
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Published: Volume 14, Issue 6, November, 2006
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Four royal women and Louis Vuitton, a brand to reckon with, get together to create a symphony of aristocratic style. The Verve team, criss-crossing Rajasthan's sand dunes and havelis, entering the personal abodes of Maharanis and Rajkumaris, paints this sartorial panorama. This is what style legends are made of, discovers Shirin Mehta
The fabulous Sukh Niwas, was named by Maharaja Savai Jaisingh II in 1727 after his favourite wife, Sukh Kanwar. This former royal bedroom and dining hall is today the palace showpiece, its gold frescos intact; its walls hung with priceless miniatures by the late 16th century artist, Mansoor; enormous crystal chandeliers that clink tales of another era, in the warm desert breeze; a show-stopper Lalique dining table, intricately etched. "I live in a palace but it is a normal lifestyle. It looks very glamorous but it is not glamorous anymore. It is hard work," says Diya, whose day starts early taking her children to the palace Montessori school that she founded because there were no appropriate schools in Jaipur. Today, she is involved in the creation of a high school, over 13 acres near the airport, the Sawai Bhawani Singh School. Heir to a dynasty that has always promoted education, this is a normal extension of regal living.
We meet quite a different Siddhi at Bikaner's Prachina Cultural Centre and Museum, a project initiated and owned by her and targetting a predominantly European clientele. We are in the environs of the mighty Junagarh Fort, owned by the family, which houses a larger museum starring armaments and even an antiquated plane, probably a royal plaything. Prachina boasts a more delicate collection inherited by Siddhi from her grandmother and mother. The textile section which highlights the poshaks worn on special occasions, is very close to her heart. Restored to perfection with special gold thread and individually mounted, "These are very girl-like designs…very peppy, very tempting, very fun...." Reminiscent of an era that seems somehow hopelessly lost.
"It is like any other house…after all it is home," says Kavita, of her palace domain. She is elegantly 7-months pregnant and mother to Amar (2-and-a-half). "I am doing everything like any other working mother. Just because you have the privilege of many helping hands, it is not fair to suppose that things are different." Kavita, native to Jodhpur, grew up in Papua New Guinea in the South pacific, completed her higher education in the US, obtained a bachelors degree in hotel administration and an MS in Information Systems. Armed with these impressive qualifications and a regular on the Jodhpur social scene on her family's visits home, ("When you are brought up abroad, you are in touch with your roots more intensely") she encountered her prince however at an airport, while in transit. Today, she finds no dichotomy living in a palace and working with her husband's label, 'Rathore Jodhpur'. He is the creative person while she takes care of the administration. A rather modern division of roles, almost too modern for this style of living. A far cry from the traditions of purdah and immolation.... And yet, there is the polo season that is celebrated in right royal fashion since the present Maharaja, Gaj Singh II 'Bapji' to all and his son revived the pomp and splendour of this sport of rulers. Kavita would play out the season as an insider in jeans and a smart T-shirt. And there is holi played en masse with all the royal family in traditional garb. And the grand annual procession of the goddess Parvati and Shivji that starts at the Umaid Bhawan and winds its way to the formidable Mehrangarh Fort, in colourful array and then on to the zenana where the women wait in traditional ensembles and fabulous jewellery. "The zenana is still in existence," Kavita says, "though the connotations have changed. Purdah is no longer in continuance, though the code of conduct is still there…the symbolism is still there."
To one side of the unassuming, dry, baked city of Bharatpur, renowned through the ages for its famous bird sanctuary and celebrity-and-caviar-soaked duck shoots, with nothing much in sight besides mud walls, a sudden wide road leads to a palace of beautiful proportions. We bypass this, the Moti Mahal, boarded up and destined for conversion into a heritage hotel by the Taj group, and stop at an outhouse, formerly a royal guest house for trigger-happy dignitaries. Amongst paintings of local ducks, taxidermy deer, portraits of a young prince and silver birds crafted aerodynamically in flight, we meet with Divya Kumari of Bharatpur and her upright, moustachioed, four-term MP husband, Vishvendra Singh, who would have, had the twists of Indian royal history been different, commanded a 19-gun salute. "These days, the only way to maintain a palace is to lease it to the Taj," Divya says, regretful of having to leave the carpets (one that has been fashioned from 32 tiger skins), full taxidermy bison and tigers, chandeliers, trophies and the virtues of high ceilings. Thirty old-timers and retainers, however, continue to serve their royal masters. "We are the only family in Rajasthan that is not into hotel running and tourism but both of us are full-fledgedly into politics," says Divya, who gave up her seat in Parliament, 10 years ago, to care for her young son, Anirudh (16). "And this, after fighting an election in 45 degrees heat, her skin burnt brown," maintains her husband, who, for the last 17 years has been responsible for continuously defeating political stalwart, Natwar Singh. "It took a lot of strength but I cannot be like other royal women who have dumped their children for a seat in parliament," she counters. Today, back in the Rajasthan assembly, her mornings are spent as an ordinary modern housewife while in the afternoons and evenings, she is free to meet her caring goals of educating the girl child and empowerment of Rajasthan's women. |
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