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| 1st Quarter, 2004 |
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| 1st Quarter, 2004 |
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The Original Invisible Man
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| Photographs by Meenal Agarwal; Text by Madhulika Varma | ||||||||||
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PUBLISHED: Volume 12, Issue 1, First Quarter 2004
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I am on the road to Film City, Mumbai. Large chunks of this once pristine, emerald haven have been gobbled up by an advancing army of skyscrapers. The seductive, wayward, ribbon of a road that once sashayed ahead has now been pummelled into a listless concrete Duh! The earth scents have been replaced by gasoline. You ache for a time lost before the Shock and Awe Brigade struck and transformed the world into one giant gyrating remix. Much was swept away by this giant swell that hit town. Including the celluloid male. Too often, he was an excitable, brass-knuckled avenger and you dunked him in the bin along with your frayed film ticket. But occasionally, in an NFDC film, or those crafted by the Benegal/Bangla brigade, you met the everyday man sensitive, flawed and palpably real, he stayed with you, even walked you home. You dont see him anymore. You want to find out why he left. Which is why, Im on the road to Film City, in search of a man called Farooque Shaikh. The nice guy who went missing. Garam Hawa, Gaman, Bazaar, Noorie, Chashme Buddoor, Katha, Saath Saath, Kissi Se Na Kehna were the films where the actor didnt hit the high notes, just fleshed out the contours of an everyday-kinda guy. Where Shaikh differed from the Oms and the Naseers was that they had the unwashed, lean and hungry look, while Shaikh, at all times, looked like he had access to a good launderette and that, no matter how grave the crisis, he wasnt going to skip lunch. And, he oozed chicory charm. Which is why, it is fabled that several of his co-stars and all the pardanashins of Lucknow were seriously smitten by him! |
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