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The glamour goddess of the 70s tentatively returns to the strobe lights with a cameo in Boom and a debut stage performance in Chupke Chupke.
ANIL THAKRANEY Keeps a date with Zeenat Aman and finds, to his relief, the legendary sex appeal and sensuality quite intact
Meeting Zeenie Baby is like taking a sharp U-turn down the more beautiful paths of memory lane. I grew up on the ravishing actors (ever since Shabana Azmi called herself that, it has become official!) movies in the 70s and the 80s and came perilously close to sending Hare Ramas
hippy chick a note written in clotted blood. I suspect I wasnt the only Indian male lusting for the seductive goddess who single-handedly brought about a sexual revolution on the desi screen. And she peaked in Raj Kapoors Satyam Shivam Sundaram, a film clearly ahead of its time, a film that boasted many sexy firsts. The first time an actor dared to expose that generously. It had the first lingering kiss of Indian cinema. And for the first time in her entire career, the role gave Aman an opportunity to showcase her talent through a doubtlessly challenging performance. Sadly, as usual, what got showcased instead was her overriding sensuality, and once again, the acting abilities got lost inside the curves of her physical assets. Years later, Aman richly frowns on what happened. "I agreed to do SSS because of my wish to work with Rajji, but honestly, I didnt realise that the focus would be so much on my physical attributes." She didnt? Whoa!
To my mind, Aman, for her entire career of 17 years, had to bear, what I believe to be, the Cross of Khajuraho. Few admire the artistry and the craftsmanship
its always the eroticism that grabs the imagination. But while she does, to an extent, regret that, the actor didnt mind it too much. Because the titillating bit helped form long queues of excited film producers at her doorstep. "The slot helped me laugh all the way to the bank
I made it work for me. But," she quickly adds, "after a while, it can be frustrating to be appreciated only for ones sexuality. I could never come to terms with the image that had been created."
Perhaps the foray into theatre, 15 years later, as her re-entry point into showbiz, emanates from a desire to prove she can do some acting. And to send out a clear signal to prospective film-makers that, for her second innings in cinema, Zeenat Aman seeks fleshy roles, not show of flesh. The play she is currently doing, Chupke Chupke, is a Hindi adaptation of the original Gujarati play, Lady Lalkuwar. It involves a mistress who forces her man to marry her under coercion.
Aman, whose first name means beauty, in Urdu, continues to look as attractive after all these years of being away from the strobe lights, raising two kids, as a single mum. Heads turn abruptly as I escort her to the coffee shop of the Taj Lands End Hotel in Bandra, Mumbai. The same great bod, the familiar sensuous voice, sex appeal intact
if theres one thing thats changed, its the hurt she carries (a part of it visible to the naked eye) from two bad, violent marriages. The first one involved actor Sanjay Khan, a period she considers one of the biggest mistakes of her life. Pain leaps out from scarred eyes. "We fell in love on location in Jaisalmer. I was very vulnerable at the time. A few weeks of madness, thats all it was. Getting married to a married man was never going to work. I was too young, naive and silly to know what was right for me."
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Her marriage to minor actor Mazhar Khan (who has since passed away) turned out to be no less unhappy, albeit longer lasting. "With Mazhar, everything that could go wrong, went wrong. As he is not here to defend himself, I dont want to slam him. All I want to say is I took it for as long as I could, and then I just quit."
Sadly, however, her trials did not end there. Aman got into ugly skirmishes with her in-laws over the custody of her two sons; things got so bad, Aman had to stage a public outcry. "My husbands family used my son to hurt me. I called a press conference because I couldnt deal with it. My life was being threatened. And the moment I made it public, it stopped."
The Qurbani belle also found herself seriously broke, much of the money had been blown on her husband, Mazhar. What saved her from certain ruin, were investments in real estate in the city of Mumbai.
Two ugly relationships have made the star lose faith in the concept of marriage. "I will never marry again. One good reason to get married is to have children
and I already have them." The actors parents (Muslim father, Hindu mother) separated early, and she was brought up by her mother. "Marrying a Muslim man may have been my need to fill the void of losing my father at an early age," she readily admits. She also blames the deprivation of a father figure for her questionable choices. "I went into a lot of wrong relationships because I never had a father. I gave too much of myself into the marriage because I never had a barometer to compare it with."
Sensing heaviness in the air, I switch to discussing her favourite Hindi movies from the current lot. And, thank god, Im not carrying a gun that evening, else would have been tempted to pull the trigger. Aman audaciously states she hates watching Hindi movies. The leading lady of 80 Bollywood blockbusters considers them a waste of time. "I dont watch Hindi movies, and only do so if my kids insist. Three hours in a day is too long to take out and see movies."
Its time to end my little date with Babusha (her popular nickname). As we prepare to say our goodbyes, a final question: how would she like to be remembered? After a careful thought: "As a passionate, intense, vibrant person, who gave a 100 per cent to whatever she did." Er, isnt that a bit too, how shall I put it, ambitious? She counters by asking how I think shell be remembered. "Hot!" I immediately suggest. "I dont mind that, either," Aman tantalisingly whispers into my ear, flashing her trademark 24-carat smile. I might mail out the clotted blood letter, after all.
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